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Sound Post for ‘Harsh Light Of Day’

January 4, 2012

I recently completed the sound post production at Dreambase Studios on British Independent Horror film, Harsh Light of Day. Directed by Oliver Milburn and produced by Emma Biggins at Multistoryfilms. I worked with them to create a dynamic, theatrical mix that keeps you on the edge of your seat.

SYNOPSIS: After returning home from the launch of his book about the occult, Daniel Shergold’s house is broken into by thugs, who beat his wife to death and leave him paralyzed. A depressed agoraphobic in his secluded country cottage, Daniel mourns the death of his wife while being cared for by home nurse, Fiona. He is unable to accept the lack of success the police have in finding his wife’s killers. Daniel accepts a visit from a mysterious stranger who insists he can help him reap revenge. He agrees and is thrown into a strange and horrific transition into darkness. With renewed strength, Daniel sets out to avenge his wife’s murder, but at what cost?

From the outset HLOD needed a soundtrack that was set ‘completely in reality’ one minute and then going ‘off on one’ the next. These dynamics were intended to give the viewer a full gamut of aural experiences, from a comfortable almost anodyne setting to uncertain, or at times excruciating pieces.

Shooting outdoors and on the coast presented the usual sound issues, so wild tracks, Foley recordings and sound design were used extensively to convey the appropriate sentiment in these scenes, from water lapping on a pebbly beach to the atmosphere of a dock yard. In contrast, the ‘sound’ of the house in the film is almost silent, again to emphasise the isolation of the cottage and to ensure the film exhibited plenty of sound dynamics.

The film’s producer Emma Biggins commented at the premiere: ‘the screening went really well tonight – looked and sounded fantastic’

HLOD is released in cinemas on Friday 13th April 2012 and the theatrical trailer can be seen here:

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